Download 50 Lighting Setups for Portrait Photographers: by Steven H Begleiter PDF

By Steven H Begleiter

This cookbook-style advisor to portrait lights comprises all of the components valuable for a winning picture shoot. With 60 two-page spreads highlighting the strategies used to create beautiful photos along the pix themselves, aspiring photographers may have a transparent experience of either the «how» and the «why» of excellent lighting fixtures. tough questions equivalent to How am i able to downplay a double chin and darkish shadows less than the eyes? and the way am i able to produce a delicate, romantic think in a womans portrait? Are addressed and resolved during this no-nonsense consultant to reliable lights.

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Extra info for 50 Lighting Setups for Portrait Photographers: Easy-to-Follow Lighting Designs and Diagrams

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Home was filled with holiday lights. It was very festive and the Brubecks were gracious hosts. Visual Objective Capturing the family dynamics is always one of my vi- Tips sual objectives; each son has their own identity and re- When photographing a large group you need a large lationship to their father. In truth, though, the portrait light modifier. Because four of the sons wore glasses, is as much about me as it is about the Brubecks. Once I used a boom stand to raise the light about three feet I was happy with the placement, I would “let the cam- above the subjects to avoid causing reflections.

Posing Since this was a low budget shoot—no prop or hair stylist—I had my assistant fan out her hair. I wanted the hair to look as if it were floating on water. I also wanted the image to look playful so I had Hallee hold one of the daisies while her other hand played with her hair. The smirk was by accident but I felt was the right 54 50 LIGHTING SETUPS FOR PORTRAIT PHOTOGRAPHERS softbox on boom stand angled down toward subject reflector camera on ladder Five-Minute Pit Stop CASE STUDY #17 CAMERA: Hasselblad 503c LENS: 50mm FILM: Fuji RDP 100 EXPOSURE: LIGHTING: f/8 at 1/60 second Norman 200B through a white umbrella Assignment rescent lights in the background were a happy acci- Sports figures were also a key group I gathered for my dent; they suggest the idea of movement.

This created a visual flow of sunset behind subjects hands that leads to Gordie’s face. I had Gordie rest his hands on his lap, anchoring the group. The Story Not knowing what to expect, I brought all my equipment to the family’s condo on the ocean. When they medium softbox mentioned that they had caught some fish early that morning, a light bulb went off: I realized I had to photograph them on the boat at dusk. LIGHTING CASE STUDIES 39 Take Five CASE STUDY #9 CAMERA: Hasselblad 503c LENS: FILM: EXPOSURE: LIGHTING: 50mm Kodak Plus X f/11 at 1/8 second large Chimera light bank OTHER: tripod Assignment The Story If you haven’t figured it out yet, working on a per- The only time Dave and his family were all free and in sonal portrait project allows you the opportunity to the same place was a week before Christmas.

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