By Dana Arnold, David Peters Corbett
This spouse is a set of newly-commissioned essays written by means of major students within the box, offering a complete creation to British paintings history.
• A generously-illustrated choice of newly-commissioned essays which gives a finished creation to the background of British art
• Combines unique examine with a survey of current scholarship and the kingdom of the field
• Touches quite often of the heritage of British artwork, from 800-2000, with expanding cognizance paid to the classes after 1500
• offers the 1st entire creation to British artwork of the eighteenth, 19th, and 20th centuries, probably the most vigorous and cutting edge components of art-historical study
• offers intensive the main preoccupations that experience emerged from fresh scholarship, together with aesthetics, gender, British art’s dating to Modernity, nationhood and nationality, and the associations of the British artwork world
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Extra resources for A Companion to British Art: 1600 to the Present
Both sequences are clear examples of what Eisenstein defined as ‘intellectual montage’ (see Newcomb, 1974: 471–474), aiming to provoke a cerebral rather than an emotional impression on the viewer. In the first case, the sequence of ‘the gods’, Eisenstein proposes a radical philosophical critique of the idea of religion along Marxist lines, using a juxtaposition of images that ultimately conveys an abstract and rather nuanced meaning. ‘Kerensky’s ascent’ is a more complex example based on a dif ferent visual strategy.
Such a passage reveals a far closer interaction between words and pictures than Bazin’s text would suggest. Power relations between dif ferent elements in Letter from Siberia are thus not as unbalanced as Bazin would make them appear. It should also be noted that the clash between dif ferent elements in Letter from Siberia leads the viewers to question the inevitability of representation itself while rethinking their perspectives and expectations. It is, I claim, this constant questioning which inscribes Letter from Siberia within the domain of the essay.
1 Most of these texts concentrate on the conceptual operations of ‘identification’ and ‘characterization’. The 1 These books include Ivelise Perniola’s Chris Marker o del film-saggio (2003); Thomas Elsaesser’s Harun Farocki. Working on the Sightlines (2004); Catherine Lupton’s Chris Marker. Memories of the Future (2004), Suzanne Liandrat-Guigues and Murielle Gagnebin’ L’essai et le cinéma (2004), Antonio Weinrichter and Maria Luisa Ortega’s Mystère Marker. Pasajes en la Obra de Chris Marker (2006), Antonio Weinrichter’s La forma que piensa.