Download Aperture - Winter 2010 by Melissa Harris PDF

By Melissa Harris

Aperture factor 201 (Winter 2010) contains: Portfolios and Essays from Lynsey Addario and Elizabeth Rubin, Aïm Deüelle Lüski and Ariella Azoulay, Lucia Nimcova and Clare Butcher, Willy Ronis and Carole Naggar, Ben Sloat, Axel Hoedt and Magdalene Keaney, Roger Ballen and Walter Guadagnini.

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A warming filter compensates for the blue of skylight. Warming filters coded 81A are subtle and don't absorb much light. Their effect is usually about right. An 81B is stronger, will cost you about one f-stop of brightness, and can give artificial-looking results. One very powerful filter type is the polarizer, which cuts glare, boosts contrast, and deepens the blue of skies. The effect is dramatic, sometimes just what you want to take the flatness out of midday light. In the heyday of Kodachrome, you saw lots of polarized shots in magazines, but modern color films such as Velvia, with their intense color saturation, have made polarizers almost obsolete.

Previous page < previous page 50 page_40 page_41 next page > next page > 51 Page 41 PART 2 BASICS Some who get into climbing photography are trained photographers. Most, however, are climbers who want to take something back from the wild places. For this group, the next few chapters should be particularly helpful. If you want a thorough primer in the basic principles of photography, consult a more general text. Here, the uninitiated will find a brief treatment of the basics, and the more experienced will find comments on light, exposure, and composition particular to climbing photography.

Lens Hoods Direct sunlight on your camera lens will produce glare, flare, and other undesirable effects. The best way to avoid lens flare is to shoot from a camera position that's out of the sun, in the shadow of a boulder or tree. When you can't move, a metal or rubber hood that extends from the end of your lens can help keep sunlight off the glass. Many telephoto lenses come with built-in hoods. Hoods can also protect your lenses, since they stick out past the glass to take the first knocks, though some  < previous page < previous page page_27 page_28 next page > next page > Page 28 will interfere with screw-on filters.

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