Download Michael Freeman's 101 Top Digital Photography Tips by Michael Freeman PDF

By Michael Freeman

For the first actual time, well known foreign photographer and writer Michael Freeman finds all of the insider tricks and secrets and techniques that the majority expert photographers dont wish you to understand. Photographers of all ability degrees point-and-shooters, enthusiastic amateurs, or even fellow professionalswill locate lots of worthwhile recommendation drawn from Michael Freemans a long time within the box. a hundred and one best electronic images assistance explains tips on how to use your camera successfully and creatively, and the way to imagine and shoot like a professional seasoned. This publication will enable you to utilize your digicam, whether your assets are limitedcovering every little thing from capturing in negative climatic conditions, faking advanced lights setups, and capturing for intensity of box, to solving broken records and organizing your images successfully. it's possible you'll comprehend Photoshop inside and outside, but when youre now not utilizing your digicam to the easiest of its talents, youre prone to be disillusioned with the consequences. Michael Freemans one hundred and one most sensible electronic images suggestions will ensure you get the very best photographs to paintings with within the first position, despite your present ability point.

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For the first actual time, well known foreign photographer and writer Michael Freeman finds all of the insider tricks and secrets and techniques that almost all expert photographers dont wish you to understand. Photographers of all ability degrees point-and-shooters, enthusiastic amateurs, or even fellow professionalswill locate lots of necessary recommendation drawn from Michael Freemans a long time within the box.

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Most cameras and lenses being black, they absorb radiant heat quickly, and in conditions where shade temperatures are over 104ºF, try never to expose to the direct rays of the sun. A “space blanket,” or even a piece of reflective foil can make a simple impromptu shade— particularly useful if the camera has to be on a tripod in the sun for any length of time. In hot and dry environments such as deserts, a more critical problem is likely to be dust and sand particles that work their way into exposed movements, particularly the lens focusing and zoom rings.

Some cameras also offer the equivalent of sepia toning results. Post-processing is where the conversion of a color file into monochrome allows you a range and delicacy of control that wet-print darkroom enthusiasts could have only dreamt of. Every editing program, from Photoshop to LightZone and DxO Optics Pro, among others, offers ways of conversion that allow the channels to be manipulated. Shown here is the black-and-white conversion dialog in Photoshop. A drop-down menu offers a number of presets mimicking the effect of traditional color filters for black-and-white.

A much better non-invasive (that is, not touching) method is with a small vacuum cleaner. Some dust removal kits include this, powered by a can of compressed air. You need to be more careful than with a blower because the suction effect is not as powerful and the head of the cleaner needs to be held very close to the sensor. Any dust that resists either of these methods needs to be lifted off physically, and this is the last resort. Resist the temptation to use a small brush, because unless it is absolutely sterile, you will add smears.

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